Ynys Gysegredig – soundworks derived from and dedicated to the sacred isle of Anglesey / gwaith sain sy’n deillio o ac wedi’i chysegru i Ynys Môn

‘Tant’ is aligned with the fire element and features a reading of Cân yr Haf by Rhys Goch ap Rhicert (Iolo Morganwg – a work he imagined as a twelfth century poem). ‘Llŷr Llediaith’ (aligned with the air element) features a field recording of the wind from within Barclodiad y Gawres Neolithic passage grave during…

‘Tant’ is aligned with the fire element and features a reading of Cân yr Haf by Rhys Goch ap Rhicert (Iolo Morganwg – a work he imagined as a twelfth century poem).

‘Llŷr Llediaith’ (aligned with the air element) features a field recording of the wind from within Barclodiad y Gawres Neolithic passage grave during a storm from the Irish Sea at Porth Trecastell. It features a chant-like invocation of Llŷr (the father of Brân, Branwen and Manawydan in The Mabinogi). Llŷr refers to the sea and Llediaith suggests ‘half-speech’ or ‘half-language’. Consequently, the name has been evoked for oceanic liminality.

‘Buarth Wyf’ (aligned with the earth element) includes a dense layering of field recordings from ground level, harmonium channeling and intoning from Buarth Beirdd from The Book of Taliesin:

“wyf dur, wyf dryw, wyf syw, wyf saer;

wyf sarff, wyf serch…”

[‘I’m as hard as steel, I’m a wizard, I’m a sage, I’m a craftsman;

I’m a serpent, I am desire…’] translation Marged Haycock

‘Clorach’ (aligned with the water element) features field recording of the Afon Goch (the red river). One of the Afon Goch’s water sources is from the ancient holy spring of St. Cybi at Clorach, the reputed meeting place of St. Cybi from Holyhead and St. Seriol from Penmon in the sixth century. There used to be a second well opposite St. Cybi’s at Clorach – but this has now been filled in. This area of Anglesey is steeped in folklore – being near Carreg Leidr (The Thief’s Stone – petrified Wil Law Flewog), fields of fairy circles and the highly atmospheric church with its ancient circular wall (‘Llan’) surrounded by trees.

‘Din Sylwy’ (aligned with the aether element) features field recordings from the foot of the hillfort at Bwrdd Arthur or Din Sylwy with its holy well and medieval church (Llanfihangel Din Sylwy). The work features a reading of Llanfihangel Din Sylwy by W. J. Gruffydd from his collection Ynys yr Hud.

The two ‘Swyngyfaredd Braint’ excerpts feature field recordings from the Afon Braint near Bryn Celli Ddu (the Neolithic passage grave: ‘Hill in the Dark Grove’) as well as a whispered recitation of the Ogham bounty of brambles and wildflowers near her banks. The work is aligned with Imbolc and honours the Goddess Braint before she winds her way past Caer Lêb (which the Rev. Henry Rowlands believed to be the Royal Mansion of the Arch-Druid). Rev. Richard Evans in the Transactions of the Anglesey Antiquarian Society and Filed Club states: “the river…runs through the parish and empties itself into Abermenai. The people proudly call it ‘The River Braint’. Ah no! ‘The River Breint’. The Royal River. Although it is but a small river it abounds in trout”. The remainder of the shorter works feature raw field recordings of peregrinations tracing the Afon Braint from her source at Llyn Llwydiarth in Pentraeth Forest (‘…llwydiarth…’), to the onrush of waterfalls near her first estuary at Pwllfanogl (‘…pwllfanogl I & II…’), to the tidal stretch at the Rhuddgaer stepping stones (‘…rhuddgaer…’) before she joins the sea at Aber Menai (the site of Branwen’s departure for Ireland in The Second Branch of The Mabinogi).

‘Y Ladi Wen’ is dedicated to the quartzite, white sea stack at Porth Padrig. Its appearance gave rise to its mythological name, Ladi Wen, or wraith-like gossamer White Lady from Welsh mythology. I read the first stanza of Branwen by T. Llew Jones to the Ladi, made field recordings of the waves at her feet and utilised chanting from within a nearby cave.

The soundworks function as spells as well as a hauntological log of the places I am ritually drawn to on the island.

Available from Bandcamp: Ynys Gysegredig | Tristan Rhys Williams

Mae ‘Tant’ yn ymwneud â’r elfen dân ac yn cynnwys darlleniad o Cân yr Haf gan Rhys Goch ap Rhicert (Iolo Morganwg – gwaith a ddychmygodd fel cerdd o’r ddeuddegfed ganrif).

Mae ‘Llŷr Llediaith’ (sy’n ymwneud â’r elfen aer) yn cynnwys recordiad maes o’r gwynt o fewn Barclodiad y Gawres yn ystod storm o Fôr Iwerddon ym Mhorth Trecastell. Mae’n cynnwys swyngyfaredd ar gyfer Llŷr (tad Brân, Branwen a Manawydan yn Y Mabinogi). Mae Llŷr yn cyfeirio at y môr ac mae Llediaith yn awgrymu ‘hanner llafar’ neu ‘hanner iaith’. O ganlyniad, mae’r enw wedi cael ei alw ar gyfer elfen drothwyol cefnforol.

Mae ‘Buarth Wyf’ (sy’n cyd-fynd â’r elfen ddaearol) yn cynnwys haeniad trwchus o recordiadau maes o lefel y ddaear, sianelu harmonig ac llafar ganu o Buarth Beirdd o Lyfr Taliesin:

“wyf dur, wyf dryw, wyf syw, wyf saer;

wyf sarff, wyf serch…”

Mae ‘Clorach’ (sy’n ymwneud â’r elfen ddŵr) yn cynnwys recordiadau maes o’r Afon Goch. Daw un o ffynonellau dŵr Afon Goch o ffynnon sanctaidd hynafol Sant Cybi yng Nghlorach, man cyfarfod honedig Sant Cybi o Gaergybi a Sant Seriol o Benmon yn y chweched ganrif. Arferai fod ail ffynnon gyferbyn â Sant Cybi – ond mae hyn bellach wedi’i lenwi. Mae’r ardal hon o Ynys Môn wedi’i thrwytho mewn llên gwerin – gan fod ger Carreg Leidr, caeau cylchoedd tylwyth teg a’r eglwys hynod atmosfferig gyda’i mur crwn hynafol (‘Llan’) wedi’i hamgylchynu gan goed.

Mae ‘Din Sylwy’ (sy’n ymwneud â’r elfen aether) yn cynnwys recordiadau maes o droed y fryngaer ym Mwrdd Arthur neu Din Sylwy gyda’i ffynnon sanctaidd a’i heglwys ganoloesol (Llanfihangel Din Sylwy). Mae’r gwaith yn cynnwys darlleniad o Lanfihangel Din Sylwy gan W. J. Gruffydd o’i gasgliad Ynys yr Hud.

Mae’r ddau ddyfyniad ‘Swyngyfaredd Braint’ yn cynnwys recordiadau maes o Afon Braint ger Bryn Celli Ddu (siambr gladdu Neolithig) yn ogystal â llefaru sibrwd o blanhigion a blodau gwyllt ger ei glannau. Mae’r gwaith yn ymwneud ag Imbolc ac yn anrhydeddu Braint y Dduwies cyn iddi wenud ei ffordd heibio Caer Lêb (yr oedd y Parch Henry Rowlands yn credu ei fod yn Blasty Brenhinol yr Arch-Dderwyddon). Dywed y Parch Richard Evans yn Trafodion Cymdeithas Hynafiaethwyr Môn a Chlwb Ffeil: “mae’r afon… yn rhedeg drwy’r plwyf ac yn gwagio ei hun i Abermenai. Mae’r bobl yn falch o’i alw’n ‘Afon Braint’. Nac oes! ‘Afon Breint’. Yr Afon Frenhinol. Er mai dim ond afon fechan ydyw, mae’n helaethu mewn brithyll“. Mae gweddill y gweithiau byrrach yn cynnwys recordiadau maes amrwd o erlidwyr yn olrhain Afon Braint o’i tharddle yn Llyn Llwydiarth yng Nghoedwig Pentraeth (‘… llwydiarth…’), at y rhuthr o raeadrau ger ei haber gyntaf ym Mhwllfanogl (‘… pwllfanogl I & II…’), i’r darn llanw wrth gerrig camu Rhuddgaer (‘… Rhuddlan…’) cyn iddi ymuno â’r môr yn Aber Menai (safle ymadawiad Branwen dros Iwerddon yn Ail Gainc y Mabinogi).

Mae ‘Y Ladi Wen’ wedi’i chysegru i’r garreg, pentwr môr gwyn ym Mhorth Padrig. Arweiniodd ei hymddangosiad at ei enw mytholegol, Ladi Wen, neu Arglwyddes Gwyn gossamer tebyg i wraith o fytholeg Cymru. Darllenais benillion cyntaf Branwen gan T. Llew Jones i’r Ladi, gwneud recordiadau maes o’r tonnau wrth ei thraed a defnyddio llafarganu o fewn ogof gerllaw.

Mae’r darnau sain yn gweithredu fel swynion yn ogystal â chofnod hauntolegol o’r lleoedd yr wyf yn cael fy nenu atynt yn ddefodol ar yr ynys.

Tristan Rhys Williams (2024)

 

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